I found the imagery in the last scene with drunk Milkman and Lena very interesting. Lena shows Milkman the dying maple tree. Lena informs Milkman that the tree grew from a twig that she had gathered with flowers that he had peed on when he was little and accidentally peed on Lena. She claims that by soiling the flowers and the twig (which grew into the tree), Milkman is responsible for their deaths. Lena also claims that by soiling Lena literally and all the women in his house figuratively (by not respecting them caring about them, and making fun of them), he is responsible for what happens as a result of his actions towards them, the most recent of which being ruining Corinthians' relationship with Porter by telling Macon. Lena's ending message ties the image of the dying, soiled tree and the "soiled" women toghether by warning Milkman to be wary of his actions or else Lena will take action in some way. I think that the image of her large eyes after putting on her glasses was very telling of her new watchfulness of her baby brother.
Saturday, April 16, 2016
Sunday, April 10, 2016
"Song of Solomon" - post 1
In this post I will be discussing the use of the biblical names of some of the main characters, including the title, in Toni Morrison's novel, Song of Solomon.
The title, Song of Solomon, comes from the Old Testament. It is a book of wise sayings and stories about King Solomon's wisdom. He was the second King of Israel (after David), and was initially a very good king. However, he became very greedy and focused on money, building ornate temples and places. God punished him by destroying his kingdom and all of his temples based on wealth, not faith.
Macon seems to be very similar to King Solomon. He is a very imporant man in his town in North Carolina (particularly in the African American community). He was very rich, and had followed the doctor (his father-in-law) as the richest African American man in town after the doctor's death. He may have been kinder or more generous with his money when he was first starting out (although I rather doubt it based upon what in the past he reflects upon), but he his now entirely consumed by his money and status, even sending Freddie up to get "his money" down from the pocket of a drunk man who tried to kill himself, but passed out before he could. Macon's name is one of the few non-biblical main character names, which is an interesting contrast to the rest of the main characters.
Pilate is Macon's younger sister. She was named at random when her father pointed to a word in the Bible. Pontius Pilate was the Roman Governor of Judea when Jesus was crucified. He is thus hated by many Christians, when he really was stuck in the confines of the laws in that province regarding the powers of the Jewish council and the punnishment that they want for their convicted person. However, for a long time, Pilate was seen as the source of all evil and that he had Jesus crucified because he wanted to not because he had to. Similarly, Pilate in the novel is hated by everyone and is seen by her brother as be source of all evil and something that could ruin his reputation. However, when Milkman goes to see her with Guitar, he finds that she isn't scary or evil, but that she is just represented that way because of what she does (runs a home winery), and the fact that she had a child out of wedlock. She is kind, caring, and leads a contented life that draws even Macon in to observe her happiness from afar.
First Corinthians is one of Macon's two daughters. First Corinthians is a letter from Paul (one of the disciples) to the people of Phillippi. The letter contains advice on how to follow the Christian way of being loving towards others (he includes things like love is patient and that love is the most important thing in life). First Corinthians emulates this principle by always being kind, and not very confrontational (except when she was little). She seems to be the "perfect child" -- doing everything her father wants her to, going to college, smoothing over arguments, etc.
All of these characters resemble qualities of important biblical references that I think will play a large role in events to come in the novel.
Sunday, April 3, 2016
"Pride and Prejudice" - post 2
Why is Mr. Wickham Mr. Bennet's favorite son-in-law?
This question has bothered me every time I have read Pride and Prejudice. Why would the son-in-law he never wants to see again, who nearly ruined his family's reputation, be his favorite over a nice, rich man and another, very rich, man who has grown greatly since being humbled? The only slightly probable explanation I can think of is that Mr. Bennet sees himself in Mr. Wickham (although this is in itself a stretch for an answer).
Mr. Wickham is a servant's son greatly favored by the late Mr. Darcy (the current Mr. Darcy's father), but one who has fallen into gambling, promiscuity, and other "wild" behaviors. Mr. Bennet doesn't seem to have followed the same trajectory, but both men seem to have not been/are not economical and married very similar women with whom they fall quickly out of love. The narrator recounts Mr. Bennet's reflection on his marriage. He was young and thought the future Mrs. Bennet pretty, and as a result, married her. He never truly loved her, or at least not for very long. He is the polar opposite of his wife, and seems to find her quite annoying. In this reflection at the beginning of Chapter 19 of Volume II, he seems to regret that he cannot make her as happy as he perhaps should due to their varying differences and his unwillingness to change. Mr. Wickham appears to be very similar, finding Lydia attractive enough to allow her to come with him and elope when he runs away from the militia. In the last chapter of the novel, the narrator informs readers that Mr. Wickham rapidly fell out of love with his wife. Neither men saved their money very well, and thus encounter problems in married life with rather expensive, superficial wives. Both men also put all their hopes for security in one person/event -- Mr. Bennet in having a son to ensure that Longbourn stayed in the family, Mr. Wickham in Mr. Darcy to always take care of him and give him whatever he wanted because he was included in his father's will. Neither one finds security in their person/event, thus they must rely on themselves for security, or become resigned to their fate.
This question has bothered me every time I have read Pride and Prejudice. Why would the son-in-law he never wants to see again, who nearly ruined his family's reputation, be his favorite over a nice, rich man and another, very rich, man who has grown greatly since being humbled? The only slightly probable explanation I can think of is that Mr. Bennet sees himself in Mr. Wickham (although this is in itself a stretch for an answer).
Mr. Wickham is a servant's son greatly favored by the late Mr. Darcy (the current Mr. Darcy's father), but one who has fallen into gambling, promiscuity, and other "wild" behaviors. Mr. Bennet doesn't seem to have followed the same trajectory, but both men seem to have not been/are not economical and married very similar women with whom they fall quickly out of love. The narrator recounts Mr. Bennet's reflection on his marriage. He was young and thought the future Mrs. Bennet pretty, and as a result, married her. He never truly loved her, or at least not for very long. He is the polar opposite of his wife, and seems to find her quite annoying. In this reflection at the beginning of Chapter 19 of Volume II, he seems to regret that he cannot make her as happy as he perhaps should due to their varying differences and his unwillingness to change. Mr. Wickham appears to be very similar, finding Lydia attractive enough to allow her to come with him and elope when he runs away from the militia. In the last chapter of the novel, the narrator informs readers that Mr. Wickham rapidly fell out of love with his wife. Neither men saved their money very well, and thus encounter problems in married life with rather expensive, superficial wives. Both men also put all their hopes for security in one person/event -- Mr. Bennet in having a son to ensure that Longbourn stayed in the family, Mr. Wickham in Mr. Darcy to always take care of him and give him whatever he wanted because he was included in his father's will. Neither one finds security in their person/event, thus they must rely on themselves for security, or become resigned to their fate.
Friday, March 25, 2016
How my Spring Break was "epic"
I went to Arizona for the first week and a half of Spring Break. For the first week, my parents and I went to a ranch in Southern Arizona and rode horses twice a day (or at least I did, my parents didn't). That was really fun because we haven't been in three years. However, the second part of my trip was the "epic" part: we went to the Grand Canyon. It was so huge and gorgeous. Probably the most "epic" part of visiting the Grand Canyon was watching sunset. It was kind of cloudy all day long, so sunset wasn't super pretty on the canyon itself. However, right before the sun finally went below the horizon line, it peeked out from the clouds and turned the sky into an amazing light show on the clouds over the canyon. Below are some pictures from that evening (the two on the bottom are from my iPhone, which is why they are lighter than the top one from my camera, which I haven't edited).
Thursday, March 24, 2016
"Pride and Prejudice" -- post 1
In this post, I will be discussing how various characters view vanity and pride in the first half of Pride and Prejudice. Please note that my page numbers may be different because I have an ebook version.
Mary defines both qualities during the Bennets' conversation with the Lucases about Mr. Darcy, saying, "Pride relates more to our opinion of ourselves;vanity to what we would have others think of us" (Austen 55). Elizabeth seems to judge people whom she thinks as proud very harshly. This is the primary cause for her extreme dislike of Mr. Darcy, who has a persona of being excessively proud. He also insulted her pride She also looks down on vanity with disdain, but doesn't judge vain people too harshly, but rather views them as silly, foolish, or immature (ex: Lydia and Kitty). Mr. Bennet's opinions of these two qualities are almost the opposite of his favorite daughter's. Although it is very hard to tell his true opinions due to his sarcastic/cruelly humorous nature, it has become evident in the first half of the novel that he despises vanity more than pride because vanity is entirely superficial (he is also surrounded by it). Mr. Darcy, a seemingly proud man, has several discussions with Elizabeth about pride, and he argues that pride isn't necessarily a bad thing, but is in fact, a trait of an honest person. He remarks to Elizabeth that "nothing is more deceitful ... than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast" (Austen 82). This point displays his opinion that pride, although probably not the best of virtues, is more honest (and thus more admirable) than being humble. All of these characters have different opinions of pride and vanity, which helps contribute to the dynamic of their interactions and relationships.
Mary defines both qualities during the Bennets' conversation with the Lucases about Mr. Darcy, saying, "Pride relates more to our opinion of ourselves;vanity to what we would have others think of us" (Austen 55). Elizabeth seems to judge people whom she thinks as proud very harshly. This is the primary cause for her extreme dislike of Mr. Darcy, who has a persona of being excessively proud. He also insulted her pride She also looks down on vanity with disdain, but doesn't judge vain people too harshly, but rather views them as silly, foolish, or immature (ex: Lydia and Kitty). Mr. Bennet's opinions of these two qualities are almost the opposite of his favorite daughter's. Although it is very hard to tell his true opinions due to his sarcastic/cruelly humorous nature, it has become evident in the first half of the novel that he despises vanity more than pride because vanity is entirely superficial (he is also surrounded by it). Mr. Darcy, a seemingly proud man, has several discussions with Elizabeth about pride, and he argues that pride isn't necessarily a bad thing, but is in fact, a trait of an honest person. He remarks to Elizabeth that "nothing is more deceitful ... than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast" (Austen 82). This point displays his opinion that pride, although probably not the best of virtues, is more honest (and thus more admirable) than being humble. All of these characters have different opinions of pride and vanity, which helps contribute to the dynamic of their interactions and relationships.
Sunday, February 28, 2016
"Purple Hibiscus" - post 3
In this post I will be discussing Kambili's relationship with her cousin, Amaka.
Although the girls are about the same age, their different upbringings lead them to be very different and seemingly always in confrontation. Kambili, as we know, is raised in a rich, strict, Catholic, family in the city. However, her life is far from the perfect one that Amaka judges her by; she leads an unhappy life filled with fear and hidden abuse. Amaka, on the other hand, has grown up poor in the area surrounding the university where her mother, a widow, works. Although her life can be extremely hard, it is at least one that is never dull and is filled with laughter and people who love each other. When Amaka and Kambili first interact in Abba, Amaka is very hostile towards Kambili, judging her for her family's opulence (for example, buying the TV that they don't use). This hostility and judgement almost to a point of being condescending throughout their trip to Abba and then when Kambili and Jaja come to visit Aunty Ifeoma and her family in Nsukka. Aunty Ifeoma stands up for Kambili for most of her visit, chiding Amaka to stop saying mean, judgmental things to her cousin. However, towards the end of the visit, Aunty Ifeoma turns the tables and instead chides Kambili for not speaking up for herself, or even speaking above a whisper. This moment forces Kambili to overcome the "bubbles" in her throat that prevent her voice and opinions from flooding out in order to get her cousin to stop teasing her and judging her just because she appears to have a much easier life than Amaka. This moment is also the turning point in the girls' relationship. After she stands up to her and tells her to stop, Amaka seems to respect Kambili and wants to spend time with her. She no longer begrudges her having to teach Kambili how to do basic cooking skills, and she no longer judges her for not having things like shorts or never playing soccer. She even gives Kambili her unfinished portrait of Papa-Nnukwu before Kamibli and Jaja go back to the city. Kambili is amazed by this transformation, and is very grateful not to be teased all the time any more, signifying her being accepted by her extended family. She is sad to leave Nsukka at the end of the 10 days, rather than being elated like she would have been had she gone home after one or two days. Later in the story, Amaka even invites her to her confirmation, something that Kambili was touched by and wanted to attend if she was allowed.
I think that Amaka did not respect Kambili because she had no voice, and thus was entirely dependent on someone else. She may have even tried to provoke her into speaking for herself with all of her teasing and judging. Once Kambili learned to use her voice, learned to be her own person that was capable of laughing and smiling and not just following orders, Amaka was happy to be around her. Perhaps Amaka was uncomfortable by the idea that someone who had so much and yet was unable to be her own person, whereas being her own person was something that was innate in Amaka's less fortunate family. Perhaps she realized that she was jealous for the wrong reasons, and once they were on semi-equal footing as people, Amaka could put aside her jealousy and her potential guilt. With the gaining of her voice and confidence, Kambili also seemed to stop seeing her cousin as a "wild child" and someone who was too far advanced for her to ever be anything close to resembling friends (which Kambili doesn't really have in the first place). I think that the newfound friendship and amicable relationship between Amaka and Kambili will prove invaluable in the rest of the book as Kambili recovers in Nsukka from her beating and when she returns to the city and to her father (Kambili has another family to go to, an ally in both her aunt and Amaka, and someone who can give an outside opinion should she need help).
Although the girls are about the same age, their different upbringings lead them to be very different and seemingly always in confrontation. Kambili, as we know, is raised in a rich, strict, Catholic, family in the city. However, her life is far from the perfect one that Amaka judges her by; she leads an unhappy life filled with fear and hidden abuse. Amaka, on the other hand, has grown up poor in the area surrounding the university where her mother, a widow, works. Although her life can be extremely hard, it is at least one that is never dull and is filled with laughter and people who love each other. When Amaka and Kambili first interact in Abba, Amaka is very hostile towards Kambili, judging her for her family's opulence (for example, buying the TV that they don't use). This hostility and judgement almost to a point of being condescending throughout their trip to Abba and then when Kambili and Jaja come to visit Aunty Ifeoma and her family in Nsukka. Aunty Ifeoma stands up for Kambili for most of her visit, chiding Amaka to stop saying mean, judgmental things to her cousin. However, towards the end of the visit, Aunty Ifeoma turns the tables and instead chides Kambili for not speaking up for herself, or even speaking above a whisper. This moment forces Kambili to overcome the "bubbles" in her throat that prevent her voice and opinions from flooding out in order to get her cousin to stop teasing her and judging her just because she appears to have a much easier life than Amaka. This moment is also the turning point in the girls' relationship. After she stands up to her and tells her to stop, Amaka seems to respect Kambili and wants to spend time with her. She no longer begrudges her having to teach Kambili how to do basic cooking skills, and she no longer judges her for not having things like shorts or never playing soccer. She even gives Kambili her unfinished portrait of Papa-Nnukwu before Kamibli and Jaja go back to the city. Kambili is amazed by this transformation, and is very grateful not to be teased all the time any more, signifying her being accepted by her extended family. She is sad to leave Nsukka at the end of the 10 days, rather than being elated like she would have been had she gone home after one or two days. Later in the story, Amaka even invites her to her confirmation, something that Kambili was touched by and wanted to attend if she was allowed.
I think that Amaka did not respect Kambili because she had no voice, and thus was entirely dependent on someone else. She may have even tried to provoke her into speaking for herself with all of her teasing and judging. Once Kambili learned to use her voice, learned to be her own person that was capable of laughing and smiling and not just following orders, Amaka was happy to be around her. Perhaps Amaka was uncomfortable by the idea that someone who had so much and yet was unable to be her own person, whereas being her own person was something that was innate in Amaka's less fortunate family. Perhaps she realized that she was jealous for the wrong reasons, and once they were on semi-equal footing as people, Amaka could put aside her jealousy and her potential guilt. With the gaining of her voice and confidence, Kambili also seemed to stop seeing her cousin as a "wild child" and someone who was too far advanced for her to ever be anything close to resembling friends (which Kambili doesn't really have in the first place). I think that the newfound friendship and amicable relationship between Amaka and Kambili will prove invaluable in the rest of the book as Kambili recovers in Nsukka from her beating and when she returns to the city and to her father (Kambili has another family to go to, an ally in both her aunt and Amaka, and someone who can give an outside opinion should she need help).
Sunday, February 21, 2016
"Purple Hibiscus" -post 2
In this post I will be discussing Kambili's complicated relationship with her father. In many instances throughout the first 106 pages of the book, Kambili exhibits symptoms of Stockholm Syndrome. This disorder is often simply defined as growing attached to a captor or abuser to the point of even defending them after long durations of captivity or abuse. Kambili seems to nave been periodically abused by Eugene throughout her whole life, and lives in constant fear of failing to meet his insanely high expectations or not following his incredibly strict rules. She essentially does not have any friends because her father makes her run from class to meet Kevin so that she does not waste any of his time nor get behind on her schedule. Her father permits her and Jaja from getting to know their dying grandfather or expierence anything of their cultures heritage because they are all "pagan."He also does not really let them see their cousins, the closest people to their own age who don't go to their school, because their mother supports their "pagan" grandfather, and won't convert to Catholicism. One would think that all of these restraints on her life and even being beaten or watching her family being beaten would create animosity between Kambili and Eugene. On the contrary, Kambili practically worships her father, craving his love and attention, desiring to make him happy (although that could be self defense), and defending his actions. She even critizies Aunt Ifeoma and her cousins for their failure to see her Papa as "special."
I am interested to learn how this Sockholm Syndromeesque relationship between Kambili and Eugene changes (if at all) as she gets older and after she returns from a week with her comparitively extremely liberal Aunt and cousins without her parents or servants.
Works Cited
"Stockholm Syndrome: The Psychological Mystery of Loving an Abuser, Page 1." CounsellingResourcecom Library RSS. Ed. Dr Greg Mulhauser. N.p., 20 Dec. 2014. Web. 22 Feb. 2016. <http://counsellingresource.com/lib/therapy/self-help/stockholm/>.
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